Charlotte de Witte: The Definitive Interview on Raving George and the Rise of a Techno Icon
Originally published in 2017, this interview charts the remarkable story of Charlotte de Witte as she transitioned from a local Belgian talent to a global techno powerhouse. From her early days as Raving George to her first definitive techno releases, we look back at the milestones that shaped her career.
How did you start your DJ career at 17, and were your parents supportive?
Charlotte de Witte: I got more into music by growing older and discovering the underground scene. When I was a kid, I never expected this would become my life. I suppose my parents saw it coming and theyโve been very supportive. My mom told me she would always have my back, even if I decided to drop out. I eventually quit school when I was 21 and so far, no regrets.
Where was your first ever DJ gig?
Charlotte de Witte: The youth centre in Evergem, near Ghent, on 22 January 2010. It was the first time I ever pushed play on a CDJ. My performance was horrible and my mixing was completely off-beat! Luckily, the only people there were the bar staff and some friends.
What was your first release and do you still play it?
Charlotte de Witte: That was back in 2014, a remix for Crux Records. Back then, I was playing Electro music, so itโs not something I would play now. Itโs actually quite embarrassing to listen to after all these years, but also nostalgic.
What was the real breakthrough point in your career?
Charlotte de Witte: There were two. First, in 2011, winning the Tomorrowland DJ Contest. The second – and biggest – was dropping my old alias “Raving George” and changing it to my real name, alongside my first release on Turbo Recordings.
Which productions are you most proud of?
CDW: I like the underdogs. My remix for Ben Longโs “The Solver” and “Varpulis” released on Suara. Iโm also proud of “Iโll See You Tonight” on Sleaze Records; it combines analogue and digital sounds that work great on the dancefloor.
Are there plans for a Charlotte de Witte album?
CDW: Iโm interested, but the timing has to be right. It shouldnโt just be a collection of tracks; it should tell a story through different styles and BPMs. It needs to be personal and emotional.
