The definitive Charlotte de Witte interview on her transition from Raving George, her first techno releases, and her rise to global prominence.
Originally published in 2017, this interview charts the remarkable story of Charlotte de Witte as she transitioned from a local Belgian talent to a global techno powerhouse.
Starting Early: Charlotte de Witte’s DJ Origins
How did you start your DJ career at 17, and were your parents supportive?
Charlotte de Witte: I got more into music by growing older and discovering the underground scene. When I was a kid, I never expected this would become my life. I suppose my parents saw it coming and they’ve been very supportive. My mom told me she would always have my back, even if I decided to drop out. I eventually quit school when I was 21 and so far, no regrets.
First Gigs and Early Struggles
Where was your first ever DJ gig?
Charlotte de Witte: The youth center in Evergem, near Ghent, on January 22nd, 2010. It was the first time I ever pushed play on a CDJ. My performance was horrible and my mixing was completely off-beat! Luckily, the only people there were the bar staff and some friends.
What was your first release and do you still play it?
Charlotte de Witte: That was back in 2014, a remix for Crux Records. Back then, I was playing Electro music, so it’s not something I would play now. It’s actually quite embarrassing to listen to after all these years, but also nostalgic.
Charlotte De Witte’s Career Turning Point: Raving George
What was the real breakthrough point in your career?
Charlotte de Witte: There were two. First, in 2011, winning the Tomorrowland DJ Contest. The second — and biggest — was dropping my old alias “Raving George” and changing it to my real name, alongside my first release on Turbo Recordings.
Production and Label Preferences
Which productions are you most proud of?
I like the underdogs. My remix for Ben Long’s “The Solver” and “Varpulis” released on Suara. I’m also proud of “I’ll See You Tonight” on Sleaze Records; it combines analog and digital sounds that work great on the dancefloor.
What are your “go-to” techno labels?
I love Soma Records, Figure, Arts, Flash, and Afterlife. I buy all their tracks anyway and really relate to their sound.
Future Outlook and Evolution
Are there plans for a Charlotte De Witte album?
I’m interested, but the timing has to be right. It shouldn’t just be a collection of tracks; it should tell a story through different styles and BPMs. It needs to be personal and emotional.
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