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Chris Ianuzzi sounds the surreal in โ€œThe Bells Rang Onโ€

Out now via Satellite Symphonic, โ€œThe Bells Rang Onโ€ isnโ€™t a track you โ€œunderstandโ€โ€”itโ€™s one you fall into. Chris Ianuzzi, long known for destabilizing electronic conventions, returns with another dissonant gem that feels like it was generated in a fever dream and edited by a sentient Moog.

This isnโ€™t techno, it isnโ€™t ambient, and it certainly isnโ€™t comfort music. Ianuzzi combines broken rhythms, gleaming synth tones and AI-powered imagery to offer something more cinematic than club-centricโ€”think Oneohtrix Point Never through the lens of early Amon Tobin or Richard Devine, with an impish wink from Aphex Twin.

Thereโ€™s a logic to it, but itโ€™s alien. Thereโ€™s structure, but it morphs mid-step. You donโ€™t dance to this; you adjust your gravity. It’s the sound of not knowing what comes nextโ€”and loving that.

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