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Da Night talk “Rude Boy,” Sweek Records and the power of live percussion

Da Night talk “Rude Boy,” Sweek Records and the power of live percussion
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French twin duo Da Night return with “Rude Boy” on their own Sweek Records—a sun-lit, percussion-driven tech-house cut with a reggae-tinted vocal built for sweaty dancefloors. We caught up to discuss the track’s spark, the telepathy that fuels their studio and stage chemistry, and how they’re carving a house pocket in a techno-leaning Bordeaux scene. They also tease releases for Adesso Music, As One and Zoo Technique. Edited lightly for clarity.

Change Underground: “Rude Boy” feels vibrant and organic — what inspired it?
Da Night: The inspiration came from our desire to create a track that breathes sunshine and good vibes, while still being crafted for the dancefloor. We wanted to blend the percussive energy of organic timbales with a reggae touch in the vocals, to recreate that summer atmosphere that instantly makes you want to dance.

Change Underground: How does your chemistry as a duo shape what happens in the studio and on stage?
Da Night: As twin brothers, our connection is natural and immediate. We understand each other without even needing to speak, which makes our creative process very smooth. In the studio, one of us can focus more on rhythm and percussion, while the other develops melodies and textures. On stage, this bond becomes a real strength: it translates into instinctive coordination and an ability to instantly bounce off each other’s energy, keeping our sets alive, dynamic, and always spontaneous.

Change Underground: You’ve released on respected labels. Why put “Rude Boy” out via your own Sweek Records?
Da Night: Sweek Records is like our home. We created it to have total artistic freedom, without compromise, and to be able to control every step, from the final mix to the visuals. “Rude Boy” perfectly reflects our current identity: percussive, sunny, and built for the dancefloor. Releasing it on our own label allowed us to present it exactly as we imagined it, with our vision at 100%.

Change Underground: What role do live percussion and organic elements play in your sound right now?
Da Night: They play a very important role. In tech house, groove is the foundation, and live percussion allows us to bring more depth and authenticity to it. Congas, timbales, or shakers add a warmth and energy that purely electronic sounds can’t provide. These elements create an infectious rhythm that blends perfectly with our basslines and minimalist arrangements, giving our tracks a more human dimension and making them more immersive on the dancefloor.

Change Underground: How do you adapt studio productions like “Rude Boy” for your DJ sets?
Da Night: Before finalising a track, we always like to test it in real situations, whether during our mixes at home or directly in our sets. This allows us to see how the track reacts when blended with others and to check if the energy flows well on the dancefloor. Depending on the feeling, we adjust certain details: the structure, the intensity of the breaks, or the length of the sections, so that the track integrates perfectly into a DJ set. This step is essential, as it makes our tracks smoother and more effective in live settings, which also makes them more attractive for other DJs who might want to play them in their own sets.

Change Underground: Since launching in 2018, how has your vision evolved — and where is it heading?
Da Night: Since 2018, our vision has evolved a lot. In the beginning, we mainly focused on powerful drops for the dancefloor. Over time, we’ve learned to bring more personality and emotion into our tracks, while keeping that energy that makes people dance. Looking ahead, we want to keep exploring the balance between electronic production and percussive elements, and further develop our unique musical touch.

Change Underground: What’s been the standout moment from your live performances so far?
Da Night: There have been many highlights, but one of the most memorable recently was our set at Panic Room in Paris. The crowd’s energy was incredible, and every reaction gave us a unique rush of adrenaline. Playing our tracks—especially the unreleased ones—in such an intimate yet vibrant venue really marked our journey and reminded us why we do this: to share music and create unforgettable moments with the audience.

Change Underground: Which artists or scenes have most shaped the Da Night sound?
Da Night: Our sound has been shaped by several influences. When we were younger, we listened to a lot of house music, which laid the foundation for our taste in grooves and catchy melodies. Hip-hop also played an important role, especially in our sense of rhythm and our approach to sampling. On the artist side, DJs and producers like Carl Cox and Mark Knight have inspired us, both through their energy and the attitude they bring to the dancefloor. All these influences come together to create the unique sound of Da Night.

Change Underground: How do you view Bordeaux’s electronic scene, and how does it feed into your identity?
Da Night: The electronic scene in Bordeaux is very lively and full of talent, but it is still largely focused on techno, which is currently the dominant style. House, on the other hand, occupies a more limited space. For us, this scene remains a true anchor: it’s where we took our first steps, tested our early productions, and played our first sets in front of an audience. It shaped us and continues to inspire us. It pushes us to stay creative, discover new sounds, and explore different styles, while keeping a strong identity. In this landscape largely oriented towards techno, we assert our tech-house signature and aim to carve out a unique place for it, bringing our energy and vision to the local scene.

Change Underground: What’s next after “Rude Boy”? Any releases or projects you can share?
Da Night: After “Rude Boy,” several projects are in the works. We have new releases planned on Sweek Records. At the end of August, we’ll release “KEEP UP” on Adesso Music, the label of the great Junior Jack. In early September, an EP is scheduled on As One, Marc Maya’s label, in collaboration with our friend David Ink. We also have a track in preparation for the Zoo Technique label, along with other surprises in the pipeline. At the same time, we’re actively working on our upcoming dates, to keep sharing our live energy and new tracks with the audience.


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