Toledoโs underground purist Oscar Sanchez discusses balancing analog workflows with modern engineering, and why the next generation must protect electronic music history.
Toledo-based producer Oscar Sanchez is bridging the gap between early 2000s electronic heritage and modern club dynamics with his upcoming Attack Me EP on the historic Unrilis imprint. Scheduled for pre-order on Beatport on June 5th, 2026, ahead of its full release on June 19th and wide digital distribution on July 3rd, 2026, this three-track package anchors itself as an explicit sonic tribute to the enduring musical legacy of the late Neapolitan techno pioneer and Rilis founder Rino Cerrone. From tracking underground movements on a vintage Walkman as a teenager to commandingly playing booths at landmark Spanish venues like Family Club and Area 42, Sanchez has maintained a steadfast dedication to uncompromising, structural rhythms. This definitive oscar sanchez techno interview uncovers the studio discipline and heritage required to keep purist underground aesthetics alive.
The journey began at just 16 years old, armed with a pair of Akiyama turntables and an unyielding obsession with the airwaves. Every week, Sanchez would record the influential Cultura Techno program on Loca FM onto cassette tapes, listening to the playbacks nonstop on his Walkman. “Listening to that program, I would write down the tracks I liked best so I could go to the record store and ask for them,” Sanchez reflects. This obsessive process exposed him to foundational, hypnotic techno catalogs. “Labels like Primate, Theory, Ingoma, and Rilis were very influential on me and decisive in my choice of techno,” he notes, marking out the precise sonic blueprints that would dictate his creative path decades later.
From the Booth to the Studio Continuum
That deep-rooted musical education rapidly translated into physical action across the Spanish club circuit. Sharing line-ups with heavyweights such as Cristian Varela and Pelacha at institutional spaces like Family Club and Area 42 provided a masterclass in dancefloor psychology. For Sanchez, these high-profile appearances were more than just personal milestones. “Being able to play with big names in the scene is a really great feeling, and you see how hard work and dedication can lead to great things,” he says. “Another important thing is learning how to do warm-up sets, adapting to their style to create a great atmosphere on the dance floor.”
Over the years you improve your techniques and production methods. I like rhythmic and powerful techno, playing with synths and vocals.
When Sanchez formally stepped into the production realm in 2017, his focus remained tightly fixed on replicating that club-tested intensity. Navigating releases on respected underground stables like Dolma, Unity Records, and Diffuse Reality became a continuous exercise in technical refinement. “I’ve always tried to capture the kind of techno that resonates with me, but it’s difficult at the beginning,” he explains. “Over the years you improve your techniques and production methods. I like rhythmic and powerful techno, playing with synths and vocals.” This steady evolution paved the way for his debut on Unrilis, fulfilling a lifelong artistic ambition. “It’s a true honor to release music on such a historic label as Unrilis, founded by a legend like Rino Cerrone,” Sanchez states. “I’m very grateful for the opportunity and the trust they’ve placed in me.”
To capture the hypnotic, relentless force associated with the classic Neapolitan lineage while ensuring the tracks stand up to rigorous modern engineering standards, Sanchez blended time-tested analogue machinery with modern control interfaces. His studio sessions for the oscar sanchez urilis ep relied on a hybrid configuration of gear. “I use classic synthesizers like the TRS 808 and RD-09, as well as modern synthesizers like the Toraiz and Elektron Model Cycles,” he reveals. “I also use plugins and sound samples.” This combination allowed him to merge classic grooves with contemporary low-end weight, resulting in three peak-time tools titled “Attack Me”, “Nobody Human”, and “Moon Job”. “I do try to combine old-school sounds and nuances with modern techno sounds,” he says. “I like to create beats that sound like classic techno and play with modern synths and vocals.”
Preserving the Essence Against Algorithmic Volatility
Translating the visceral energy of a festival stage back into cold arrangement screens remains an ongoing, intuitive process of trial and error. Rather than adhering to rigid formulas, Sanchez values studio experimentation to find his breaking points. “Sometimes it’s not easy to capture the energy you want in your tracks, but by experimenting and changing things up, you try to make it as groundbreaking as possible,” he explains. “It’s all about trying things out.” This open-ended approach also shapes his broader collaborative work, as he prepares a heavy slate of material with imprints like Kneaded Pains, MEUK, and Say What. “The topic of music production is somewhat variable; for example, there are weeks when I can create several tracks and weeks when I do nothing,” he says. “I try to take it easy and do things as well as I can.”
There’s no doubt that these days music enters and reaches audiences visually… It’s no longer just about creating music; it’s about getting it to the right audience in the right way.
As the electronic music ecosystem grapples with shifting consumption habits, Sanchez remains a vocal proponent for preserving the purist club ethos of the early 2000s and honoring the structural rino cerrone urilis legacy. In an industry increasingly dictated by rapid-fire social clips, his alignment with Unrilis signals a refusal to compromise for temporary digital metrics. “There’s no doubt that these days music enters and reaches audiences visually, and increasingly less so aurally,” Sanchez observes. “It’s a sad reality, but viral videos and algorithms without exposure on social media dominate. It’s no longer just about creating music; it’s about getting it to the right audience in the right way.”
For the 18-35 demographic occupying modern dancefloors, Sanchez believes that an understanding of historical context is vital to keeping the global underground scene healthy and grounded. “I believe the essence of 2000s techno should always endure and be preserved,” he emphasizes. “It’s true that with current methods it can improve, but it can also deteriorate. I’m certain that the techno of 20 years ago can be played again in clubs today.” Ultimately, his longevity serves as a direct blueprint for grassroots producers navigating the hyper-saturated modern climate. “I’ve always said that you have to work hard, knock on doors, be consistent and humble,” he concludes. “It’s getting harder and harder to get bookings; there’s a lot of rivalry and egos in this profession, but you should never lose hope.”
The Attack Me EP Release & Production FAQ
An Artist’s Perspective on Legacy
Oscar Sanchez’s core philosophy and longevity in the electronic music scene isn’t built on viral social clips or chasing volatile algorithmic trends. It relies entirely on consistency, humility, hard work, and a profound respect for the foundational roots of the underground culture.
Which formative electronic music record labels influenced Oscar Sanchez’s early style?
What hardware instruments and synthesizers were used to produce the Attack Me EP?
What advice does Oscar Sanchez offer to grassroots electronic music producers?
