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Che Armstrong – Glock/Kermon (Axon)

Axon boss Che Armstrong returns to the label with two techy cuts, while Axon-regular Frank Maris follows up a cluster of strong originals with his first remix for the label.

‘Glock’ has a rolling sound, cool looped vocal samples, and lovely melodic touches that lift it above the average tech-houser. Che Armstrong wisely resists the urge to overcomplicate the track, and the killer bassline and gentle chimes are a totally winning combination.

I’ve been a big fan of Frank Maris’s tracks on Axon to date, though for those of us used to his melodic take on deep house his version of ‘Glock’ offers a surprisingly dark vision of the track. Maris twists the vocal sample, stabs and an unnerving looped melody over a bass-heavy techno core. It’s good to see Maris stretching himself beyond the sound that we might have come to expect from him, though in this instance I preferred Che Armstrong’s original.

The second original here is ‘Kermon’, which is similar to ‘Glock’, but slightly lighter in tone, with some dreamy pads and disco-tinges keeping things interesting throughout. I slightly preferred ‘Glock’ of the two, but not by much.

This is a really solid release from Che Armstrong and Axon, showcasing just my kind of tech-house: melodic and engaging without compromising an inch on groove. Great stuff. 8/10

Written by Mark Betteridge

Mark Betteridge is the Founder of Change Underground (est. 2013) and True Underground. An investigative journalist cited by leading publications such as Mixmag and Groove, he is a Digital Architect in the dance music industry news space. Read Full Bio →

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