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  • UK Protest Surveillance: Crowd of activists at night with facial recognition overlays, drones and digital targeting markers illustrating how protest attendance now triggers state biometric tracking and MI5 profiling.

    UK Protest Surveillance: How House Against Hate Became a State Honeypot

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    Chaos & Order return via ISMUS (KNTXT) with ‘The Return’.

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    Banny Decks Crafts Double Threat Roller From His Sick Bed

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    HydraTek and Mvrlø Go ‘Close To The Edge’

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    SAINTART ‘Make Love’ With New Slow Burning Hypnotic Electronica Cut

  • ruby at

    RUBY AT Delivers Dark Futuristic Tech-Step Roller ‘All-Along’

  • house against hate

    House Against Hate: UK Dance Music Collective To Unite Against Racism

  • political activism in dance music

    Does political activism in dance music risk destroying its safe space?

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    Martron is a US Producer Finally Cracking the European Code

  • electronic music victim support

    Electronic Music Victim Support: @metoodjs Respond To Questions For Comment

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    Pat Lok’s Remix Just Turned a Nu-Disco Ballad Into a Peak-Time Banger

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    Calao: The Sonic Evolution of a Polymath

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  • UK Protest Surveillance: How House Against Hate Became a State Honeypot | Change Underground on
    House Against Hate: UK Dance Music Collective To Unite Against Racism
  • UK Protest Surveillance: How House Against Hate Became a State Honeypot | Change Underground on
    Does political activism in dance music risk destroying its safe space?

Instagram

  • @metoodjs: the new support and advocacy platform for victims of sexual abuse, recently answered our questions for comment. The professionally backed structure was built to fill a systemic void that the electronic music industry has itself failed to address itself. Read the full Q&A online to understand their foundation, legal protections, and the rigorous professional standards they are enforcing in their investigations. Comment @article to get the link in your inbox
  • Wings Over Wires is a pivotal moment where club culture intersects with survival. Tunisian producer Hmenou contributes 'Shala Yousheel' to the 13 track project, reshaping the viral recording of Palestinian children singing beneath drones into a focused, defiant piece of bass music. The compilation supports @gazabirdssinging the music school founded by Ahmed Muin Abu Amsha, who has kept teaching displaced children through repeated evacuations and loss. Wings Without Wires channels raw voices, field reality and regional sonic lineage into rhythm rather than rupture, turning the sounds of fear into structure and movement. 100% of all revenues will be donated to Gaza Birds Singing
  • Boiler Room: new staff layoffs due to the continuing campaign of protests? Many observers predict that Boiler Room’s place in club culture is no longer secure. Once positioning itself as the pulse of global club culture, today’s Boiler Room’s layoffs look more like a brand fighting for oxygen. Boiler Room is under fire – not just for today’s layoffs but for who owns it. In 2025, the platform was acquired by Superstruct Entertainment, which in turn is majority‑owned by private‑equity giant KKR. That move ignited a grassroots boycott driven by politically engaged dance‑music communities, including #Raversforpalestine and @boycottroom who argued Boiler Room is now complicit in KKR’s investments tied to the Israeli war. On November 24, 2025 – Boiler Room told employees that “changes to the structure of the business” would leave a number of roles at risk. Sources say several of the cut positions are held by highly experienced staff. A company‑wide meeting was planned for today. Amidst this, the layoffs serve as a blunt reminder that the brand is recalibrating – but it’s unclear if that’s toward minimising losses, reducing exposure, or shifting strategy. Discover the 4 possible scenarios we see happening for #boilerroomtv - link in bio 👆

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